Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
嗯，，，我觉得音乐有点不搭。打斗场面挺精彩的，苗哥有那么点像郑恺，演技不错，希望这位演员能在武打明星中绽放自己的光芒。
其实是冲着金武烈来看的，金武烈发挥得中规中矩，演得人物有点变态哈哈。
放院线也不过份吧！可惜了 ，现在人都不太爱看这种动作片！谢苗是个好苗子！用最后台词套一下：“希望谢苗坚持这条路下去，虽然一点也不简单！ ”将来动作片还有希望！
这个片名为啥不直接翻译成电话诈骗，惊魂听着以为恐怖，实则犯罪片，只是打斗场面也不够惊魂。天天diss中国看习惯了，经费不够吧也不审查下文化背景。不过看韩影，好的是演员演技能打，中坚力量小角色演员都出色，中国的casting导演制片人就知道挑流量。
细节满分，片中引用了很多林则徐的语录，最后销烟的场景让我想到了历史书籍上的画面，值得再加一星。
题材选的好，电信诈骗。此片揭露了骗子能屡屡得手的背后伎俩——剧本杀。个人信息泄露是很怕的一件事，如果对方分析过你的信息之后有针对性诈骗就更可怕了。
韩国确实很会拍这种反映现实生活阴暗面的电影，想给家里人看看
推荐一下
“不是所有的事儿都是生意 这个价 你出不起”
整个剧情节奏还是挺环环相扣的。不过涉及到中国部分，确实有点意图太明显了。。。
开场谢苗嘴里的口香糖演得挺好，就是编剧的脑子有些薄弱
替小朋友看的，未成年人一定要在成年人的指导下观看哦。
不知不觉中当年新少林五祖的小英雄这么大了。。。这算是一部合格的网大，尤其是开篇的动作戏，反而最后的打戏有点虎头蛇尾了
和灵魂没任何关系。仅说剧情还不错，节奏紧张。
聚焦电信诈骗，属于悬疑科普电影。不仅很紧张，也很有现实意义。可以试试给老年人观看，防电信诈骗效果绝对不错。
不过 问题总是要解决的
中规中矩的老实动作片，消磨时光的选择，剧情一切都不费脑，几乎没有任何惊喜，也没什么大的瑕疵，按部就班。
个人觉得此片整体还是不错的，近年电信诈骗真的太多了，而且手段越来越高明，还可以阻碍通信网络和转移电话的方式，太可怕了，影片刻画的人物入木三分，眼里只有钱，还觉得自己比黑帮好，而一般电话人员闲聊各种样本，人又变成了一串串号码而已。
电影的整体质感很好，调色和镜头都很有历史感，动作打戏、剧情翻转，是电影比较重要的看点。打戏很流畅，配合色调和镜头，很多片段都不亚于动作大片。电影并没有盲目追求涵盖整个事件，而是以小人物华继良为视角，而从小人物的角度去展现大事件，以小见大。剧情几经翻转，跌宕起伏。清朝的官，人都是感觉特别瘦！
套路满满，没有一处没被安排。近期看到的第四部刀刃穿手的片了，虽然时间跨度有点大，爆裂刑警→双探→怒火重案→本片，10来年过去了，进步不大呀。ps，我就不明白出现了三个女性角色，加起来也就10来分钟的戏，盒饭就这么容易领么？尤其后两个，省去一个有问题吗？虽说是动作片，情感戏要不就别来，要不咱也别处理的这么糙呀。
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