IN SHANGHAIIn Shanghai Lou Ye, 2001short FilmIn Shanghai or the eyes of a Chinese director of his city, Shanghai, Communist economic center , but also megalopolis with many faces ...Lou Ye is a great filmmaker. After having the success that we know for the sublime Suzhou River, the young director of the sixth generation is coupled to the design of this short film about Shanghai, the city of his heart , beautiful and multicultural . Camera in hand ( for lovers is a Sony DSR- PD150 DVCam ... ) for subjective , Lou Ye rhyme begins this urban plan by a girl asleep on a bed. Slowly the camera moves out of the suburb where this unknown young woman is given the arms of Morpheus , better visit this city that is Shanghai. The narrator who is also the hero says in voice-over that he loves this megalopolis . It focuses on the residents of these neighborhoods without cloth and without resources where most of the native population of Shanghai Lodge . Indeed the streets Zongshan Donglu which contains the Bund, Pudong, the famous Oriental Pearl is not the stock market and everyone. We must go farther Jingan District to discover the social wealth of this city . Why attach immense cold and nervous architectures while the Shanghai Blood flows through the veins of its rural ? It's a little message Lou Ye through this short film ."You can guess who they are, but we can never really know "Lou Ye eradicates a rare cinematic power of this often precarious and old people waiting on the bus every morning to go to work and make the Chinese economy humming .The old streets of the city like the nearby temple Cheung Hong Bund to the bank of the Huangpu , the filmmaker does not recognize the city. As if all these steel towers of the 21st century had absorbed the social essence of the " Paris of the East" .Lou Ye then takes us on a visit to the arcades , discos, clubs, dances, flashy locations and disconnected from the reality of ordinary people in the middle of poverty which is near workers and street vendors where people drown their defecation in water by putting the edge of an old tub ... This is a new look for the Western .Finally, after making stops in a dangerous Shanghai streets by night , the hero wakes up in the morning director in a corner near buildings unsafe and fixed on the face of a shy child , concluding : "The only thing that matters is Shanghai . "By these words Mr. Lou Ye, I bear you my esteem .
一个1995年安迪就看过的电影。不老男神巴斯光年联手朋友的孙女发誓要带大家回到家乡，与恶势力抗争到底的故事。没想到最终的大boss尽然是巴斯自己，本以为会是朋友的儿子。比想象中要好，不知道如果胡迪看了有头发的巴斯，会怎么想。
气死了buzz就是个受气包，换我直接炸死这几个傻逼了！剧本真的差太多了。
很失望啊。冲着桃总去看的，但是这个动画还是给小孩子看的啊。一晃二十多年，巴斯已经不是记忆中的模样。
Into banality, and within.
能看出来剧作衔接上的不平整，尤其后期节奏下来了，会让人觉得是迪士尼平均水平而不是皮克斯。但是，绝了，迪士尼，你收了皮克斯真是他妈一本万利的买卖，再看看漫威第二阶段拍的都是什么垃圾玩意儿，偷着乐吧你！妈的，算了，反正皮克斯已经被迪士尼斗死了（今年过了一半了，就两部动画还成，院线所有片子一塌糊涂
政治正确有什么不好，唯一不好的是这是巴斯光年的故事。
结构上复刻《UP》很明显，但处处都是没有才气的拙劣的模仿，这样的PIXAR太蠢了，建议倒闭
故事精彩、特效牛逼、动作场面超赞，比之前的玩具总动员好看10倍！当年的3D动画还是萌芽期，满满塑料感；现在的CG水平细腻真实，任何一个小细节都耐看。而且皮克斯从来善于煽情，好几段巴斯怀念故友的情节都被感动到了！整体有一种星战➕环太平洋➕火星救援混合体的观感，娱乐性十足。
好怪啊重点是les吗？重点是虎头蛇尾吧！设定搞得花里胡哨的，最后就这？也没看出他对小队有什么感情突然就变成不能失去他们？皮克斯你没事吧？最好看就片头那一行字幕，我现在觉得andy就一小p孩 懂什么！ps那个猫super creepy
作为一个toy story粉，我很满意了🥹
皮克斯日渐迪士尼化系列。玩总系列，谁不是玩具谁就输了——在机器猫面前，巴斯光年黯然失色。只能说，这是一部好猫片，而非巴斯光年玩具种草向应有的样子。
机器橘猫出现的时候我心想，哦，这又是迪士尼贩卖周边的阴谋。等到影片过半：没有机器橘猫我坚持不了这么远，真的。呃，没有东西可拍就不用硬拍了，迪士尼。
卡姿兰大眼睛有点出戏，但总体还是很不错的。
他从冷藏中醒来，他开着飞船去完成任务，等他回到现实生活，时间错位了，女搭档已经白发苍苍，所有旧相识都死了，他成了唯一秉持老观念的年轻的过时之人，愿意跟随他的是已故女搭档的后辈，再加一心要回到几十年前去找女搭档的白发老人，再加CE的配音，这真不是美队的AU同人？！……故事真是乏味到顶，人物都看不到心，而且找个机器猫解决问题也太偷懒了。这还是皮克斯吗？好失望。
可惜 没能在电影院看到这部动画 不管是玩具总动员的情怀还是冲着美队去看 都值得去影院一刷 遗憾了
A：送你一个叮当；B：什么都不给你；C：送你一个大熊
乏善可陈，过目即忘。很简单的道理——如果一个动画中的角色看了这部电影会爱上电影的角色以及其衍生品玩具，那么在现实中的我们看了这部电影一定会有同样的效果。而在现实中达到了这个效果的电影，我能想到的最经典的例子就是星战了……所以归根结底，这部电影的主创的野心是，想制作一部和星战一样有影响力的动画出来……
皮克斯很好，但不知为何我独不爱玩具总动员，这部也一样爱不起来。
基本没有观看的必要，哪怕你是玩具总动员系列的忠实粉丝，看完差不多也只是无感，反倒是愈发显得迪士尼作践IP的强大实力：前面25分钟是缝合《星际穿越》的“工整作业”，但影像表达却在泛滥的片段重复和快节奏下削弱到近乎于无。之后就是想到什么拍什么，到反派这边就是放飞自我地摆烂了，空洞的刻画以及随意的退场设计仍是不争的事实，新瓶装的依旧是极其难喝的旧酒。 倒也没必要一味地夸赞制作水准，毕竟像这样“表面好看内里陈腐”的电影我见得多了。
人不能同时出现在两个地方！但美国电影胡编乱造严重违背了这一原则，巴斯自己战自己？没有比这更扯淡的剧情了！ps：美国佬是有多喜欢大下巴？看起来令人作呕！
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