Synopsis
Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.
Notes
"A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea."
A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.
Afterword:
- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
美学这些非常舒服
诶，中国还是有很多这样伟大的人滴，真庆幸生在在中国，希望国家越来越好，多多帮助困难的地区和家庭，明年毕业了，把证考完也想去尝试下支教，尽微薄之力吧
十分感动的一部片子，讲述了一位到藏区支教的老师，虽面对恶劣的条件和极端的环境，却没有恐惧而选择了留下，因被藏区学生朴实善良的情感所打动，后用一生奉献于此的支教故事。影片关注乡村支教和地方教育发展的问题，用最真实的镜头向我们展示了偏远地区孩子们学习的困难，却又热爱学习的模样。同时，通过主人公韩松老师的故事也向我们塑造了一位负责，善良大义的青年教师，因为他的引导和坚持，帮助了偏远地区学童，给了他们走出家乡看世界的机会，他是许许多多支教老师的缩影，也代表着这个行业的辛酸与伟大。但这部片子还有些许不足，因为时间跨度大，所以在剧情和剪辑上都略显跳跃，处理的不太好，只能说是美中不足吧，导演陈中阳年轻有为，但还有许多进步的地方，剧情上的个人认为结局略有遗憾，可能脱离了美好的电影，现实就是如此残酷的吧。
大家都太伟大了看这部电影，感觉藏区的生活就在眼前，希望有一天，自己也能为社会和同胞们贡献出一份力量
跟着主人公韩松一起慢慢融入到藏区生活，当地的风土民情、师生情谊不仅仅感动了韩松，也让观众跟随着主人公一起满满发生转变
看着孩子们一个一个长大，都有了好的前程，这是作为老师最大的成就感吧，替韩松老师开心。
算是比较怀旧质朴的电影吧，都是老套路，看个热闹
无法理解这种无私的爱，可能是细节铺垫不够所以说服不了我吧，但是演技是不错的。
梅朵姐姐太好看了，怎么可以有这样温柔的女子，真的太好磕了！影片最后姐姐唱歌那里看的我揪心的疼，姐姐演技也超棒
孩子们都很可爱，红扑扑的脸蛋一看就是藏区孩子，还有看他们吃东西也太香了！
很伟大，很正能量，很感人，但是不适合当下，时代不一样了啊
一开始的男主给我的感觉就是优柔寡断的人，后来经历了风雨成长了，变得成熟了有责任了，这很真实
感觉这部电影里面体现的全都是大爱，没有小情小爱，剧里的女主也是在三年之后才决定在一起的
没想到这是这个导演的第一部作品，除了剧情有点强行悲伤之外，其他都非常好，也给我们展现了藏区的美丽的景色
要给导演寄刀了！！！剧情到后面过得有点快，但是架不住泪眼汪汪
我沉迷于男女主感情线无法自拔
可，这就是人的价值吗？
场景很美，故事很贴合实际，细节不行，但是风格挺鲜明的，
草原上的孩子淳朴善良，没有城市的市侩浮躁，他们渴望知识，渴望看到更大的天地。希望老师留下来久一点，于是用一个又一个单纯又充满爱的举动，温暖老师的心。带他到小溪洗澡、教他扔石头骑马、路塌了一起修路送老师回家、带他感受草原的美好。
围绕着爱，承诺，坚守，留下的一部电影，情感不错，但是现在多少人能做到
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