学习如何在日益拥挤的星球上生存也许是我们人类的终极挑战，但有一个地方，拥有的世界人口六分之一印度，人们却特别适应生活在这么拥挤的土地上。这个系列高清纪录片将带我们进入印度最密集的地区加尔各答和孟买，了解这里人们的生活现状及生存压力。
BBC 2012年播出，用3集记录印度的底层人如何在人多地少的环境中工作。印度现在有人口 12亿，占世界的六分之一，每个家庭都有很多孩子，对于穷人来讲，这可是一个很大的负担，看看印度人是如何在他们的国土上为了生活奋斗的。
Learning how to survive on an increasingly crowded planet is probably our ultimate challenge. But there is one place, home to over a sixth of the world's population, which is already making a good shot at adapting: welcome to India. This observational series casts aside the usual preconceptions about the sub-continent, and lets a few of India's 1.2 billion show how their world really works.
With astonishing access into the densest districts of Kolkata and Mumbai, it celebrates the impressive resourcefulness, resilience and absolute pragmatism of those living and working there, and reveals the psyche needed to get ahead in the biggest of crowds.
Part 1.
This episode follows two main characters as they employ all their ingenuity to carve out a home. With more people moving to cities in India than anywhere else on earth, securing that place you can call home is vital for nurturing your family's future.
Part 2.
Johora started out as a rag-picker, but through building a bottle recycling business on a railway embankment, she has big ambitions for her family of seven kids. And it is not just small waste. Kanye uses a blowtorch to cut up ships discarded by the rest of the world, helping satisfy India's thirst for steel. And Ashik buys up beef fat from the abattoir, and proudly renders it down to make tallow. It looks disgusting, even before he is plagued by a maggot infestation. But this thrifty use of 'waste' may well be destined for your soap or cosmetics.
Part 3.
With India destined to become the most populous nation on earth by 2026, you have got to be highly tactical in your search for a better life. It is not just about you and your dreams today - it is about the family over generations to come. Prakash and Mangesh are brothers in their early twenties from an illegal settlement surrounded by the buzz of downtown Mumbai. Prakash is deckhand on a yacht while striving to realise his dream and launch a Bollywood career. But his family make it clear his sole purpose is to earn enough to fund in their joint future: his brother Mangesh's course in software engineering. Swapan, a merchant in a hectic fish market, works so hard for his family's future that his wife knows he is ruining his health. And Sujit, who crafts disposable clay tea cups in Kolkata, hardly dares dream of seeing his family hundreds of miles away.
超级文明人类祖先干不过自己创造的ai人工智能，等等，这不就是未来人类干不过天网如出一辙吗，母题其实还不就是终结者月球版，最后无儿无女幻想自己博士的死肥宅拯救世界虽然有点恶意但是聊以宽慰吧，BTW所有人物赶场NPC式出现，救命，我甚至没有一点共情
怎么说呢，这是科幻片，但就都是美国灾难片套路，唯一觉得神奇的是：月亮是个空心球，里面有我们的祖先创造的世界，灾难出现是因为月球这个世界里的AI觉醒后害怕被灭，先主动出击灭绝一切会威胁它的东西。
看开头还以为中国女孩是Jo的女友，还想说这片子这么woke吗我喜欢，结果到头来是个莫名其妙的交换生，引发了一系列莫名其妙的地球支线，月球设定也比我想象的要无趣得多，还以为是恐怖片不可知走向的，结果是个啥，阴谋论+伪科幻？果然中方投资+好莱坞商业片就不要指望太多。两颗星全给hot af的帕翠和Halle。
疫情之下电影院人不多，灾难片看的还是很爽。
虽然有点俗套，但还是可以当爆米花电影一看吧……
被设定与价值观恶心了一地，多吐槽一句算我浪费生命。2022观影年度最烂预定
2.5/10。能把陨石砸头拍出暴雨降落感，这是哪门子的灾难片？「诸神战车」系老套阴谋论加「物质即是意识」的反传统哲学观，这又是哪位民科大牛写的剧本？罗兰·艾默里奇是被华谊用枪指着才拍了这个片吗？
过得去，但是总觉得没有拍好。。。。没有拍出那种震撼的效果。。。。。。。。。。。。。。。。。。
剧情非常的old了，不仔细逻辑推敲还是挺好看的。
看起来像后天的父子情+2012的前妻再婚家庭的综合体。看完我觉得导演媳妇是不是再婚了，已经两部把再婚丈夫拍死了
很欢乐，也有很多的小梗，作为消遣还是合格的。
不当科幻片看，只当灾难片的话是挺不错的。
这个跟《陈情令之生魂》有的一比。就故事内容来说想打一星的（无关演员），但是想到工作人员们的付出。只能说电影的门槛太低了
最後的部分還好一點，前面真的不如看後天，2012... 月球設定還蠻有意思的，內部的設計加分了。但是！這部分剪輯太碎很影響觀感。整體角色塑造太平，換誰演都可。
说实话是有硬伤但不至于给1星吧哈哈哈哈哈哈哈哈。哈里贝里才是永恒暴风女神！！！！！——后面三分一真的崩，这设定真的不行啊，2022年了还说这个
各种常见的有关月球的阴谋论，多线叙事，剧情节奏紧凑，大场面壮观，其实还挺不错
3.5。特效参差不齐，不过后半段的重头戏还是给力的
我觉得月球是空的，这个脑洞值回票价。
虽然单从故事来看是挺一般的，但是简简单单的故事里流露出来的各类细节可以为本片加分。
#2022.76#天幕新彩云#旁边俩人从头聊到尾，您是来看电影的吗？虽然把自己带入到这个设定，也勉强能接受，但拍的真的是…好多没用的情节
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